Time Management Breakdown

Time Management Breakdown

Time management breakdownSometimes, when a student tells me they and their family are TOO busy for them to havepracticed all week (for several weeks in a row), my dry erase marker comes out and we go to the white board. It’s time for a time management breakdown.

There, I break down 24 hours into minutes. We determine how many hours they sleep, are in school, travel to and fro, watch television, do homework, etc.

Then I break those hours into minutes and subtract them from the 24 hour minutes.

When they see, in black and white (or whatever color I happen to be writing with on that day) how many “free” minutes are available, and how minuscule 10, 15, 20 or even 30 minutes are compared to how many minutes are in each and every day, suddenly they realize how empty their excuse is.

THEN… Continue reading

Work Ethic In Practice

Work Ethic In Practice

work ethic in practice

Like a broken record repeating the same phrase over and over again, when given the opportunity, I will continue to emphasize the importance of practice… practice… practice… practice, because it’s imperative for improvement and mastery of one’s instrument(s). There’s no substitute if you want to give a great performance. That’s especially true when performing with others. There’s a work ethic in practice. Yes, of course, practice is hard work. It’s mostly work. Not always fun. Not “play.” Work. Perhaps most important in teaching music, and when you’re drilling the concept of practice into a young student, you’re giving them what will be the foundation for a strong work ethic. An ingrained and strong work ethic almost always guarantees success — in anything.

As a private music teacher who also performs, either as a solo artist or in a group, I often encounter one particular annoying issue with too many students, as well as with some of my fellow musicians; and that is, the obvious lack of a meaningful work ethic in practice, or otherwise. Continue reading

ABCs of Practice

Musicians Practice

PracticeThe ABCs of practice when deciding what type of musician you will be.

Exploring the ABCs of practice when deciding what type of musician you will be.

If I were to ask you, dear students, what type of musician you want to be:

a) bad (and not the good kind)
b) okay
c) good
d) really good
e) awesome

What would be your answer?

Do you know that 4 of the 5 answers have one basic thing in common?

“b)” through “e)” musicians PRACTICE regularly. Ah. Obviously, the more you practice, the more likely you will achieve your highest goal. How much and how often you need to practice is determined by several factors, such as your natural talent, your practice methods, your practice schedule, and what you practice; but the bottom line still is, in order to be a b) through e) musician — unless you’re incredibly gifted — you need to practice regularly. It’s an unavoidable reality.

“a)” musicians, well… they don’t practice. At least not regularly, and maybe not even at all.

I’ve played with “musicians” who don’t practice, and to be blunt, I can tell you, they suck. Hey, *I* suck when I don’t practice. Non-practiced musicians are a total drag to play with, or listen to. I’ll have to write a whole other essay on that subject, because I have strong opinions about it that will overshadow the message I’m trying to convey here. Continue reading

Practice, Practice, Practice!

Practice, practice, practice!!

There’s an old joke some attribute to Vaudeville, some to comedian Jack Benny that goes something like this:

A man asks another on a New York City street, “Excuse me, sir… but can you tell me how to get to Carnegie Hall?” With a deadpan look, the stranger simply said, “Practice.”

carnegiehallAnd the crowd roars!

Funny enough, many years ago I was walking down the street in New York City and was approached by a stranger asking me for directions to Carnegie Hall. I couldn’t believe my luck. Well, you don’t have to wonder what my answer was. Yup. “Practice!

My stranger looked at me as if I was crazy, turned and quickly walked away. He was a foreigner and apparently had never heard the joke, or he thought I was dangerous or both. Carnegie Hall, of course is the world-renowned and prestigious concert hall in New York City. I’ve had the great fortune to attend a concert there. It’s truly an amazing concert hall where every great modern musician has played and many aspiring musicians dream of playing someday.

If you’ve taken music lessons before, or you’re currently taking lessons, you’ve most likely heard the word Continue reading

Why Teach Music?

Why Teach Music?

As a music teacher, the answer for me is an easy one. I love music, and I love helping my students understand how music works and how to make music with their instrument. So I teach music. Simple and true, but certainly not compelling enough to convince parents, school boards or other governing bodies to give music study as high a priority as science and math.

why teach music?For many, the study of music is considered a waste of valuable time that should be spent on so-called serious academic studies. From the time I was very young, even though we still had vibrant music programs, sadly, music was considered by many parents and students to be the easy A, or the goof off subject. Sandbox and Basket Weaving as a family friend used to call my major. His attitude made me feel “less than,” and almost like a slacker because I wasn’t majoring in worthy pursuits such as science or history.

Certainly not everyone thought that way, but as the years have passed, more and more music programs have been cut because they’re considered not serious pursuits, and the shrinking budgets need to support the more traditional courses (and cramming for tests). We thought the cutbacks were bad back in my day — the 1970s — but compared to now, we had amazing programs.

A while back I ran across a fantastic explanation on Facebook why music should be taught. Continue reading

Ten Important Guitar Accessories

TEN IMPORTANT GUITAR ACCESSORIES

guitar accessories

Although the title mentions ten important guitar accessories, most of the accessories listed can be used for bass and ukulele.

My guitar, bass and ukulele students and/or their parents often ask me what accessories are important or necessary to have for their instrument. Then they ask if I have any recommendations for particular brand names. In the interest of saving time, I thought I’d write a blog to address each item I believe is important and why, including a product link where I have a particular recommendation for your convenience.

Oh, and yes, it’s true — the title proclaims TEN important guitar accessories, but I’ve actually listed thirteen. Why? Because Ten looks better in the title than Thirteen, which apparently makes some people nervous.

  • Tuner

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While I am a firm believer that all of my students learn how to relative tune their instruments (tuning strings relative to each other), it can be a frustrating task in the beginning. Rather than have my students get discouraged, or worse, practice on instruments sorely out of tune (which inadvertently mistrains “the ear” ), I do advocate using some type of external tuner. It’s probably one of the most important guitar accessories for a beginning student.

For many years I used an “A” 440 Tuning Fork to tune my guitar. Archaic, perhaps, but it did the job beautifully, never needed batteries and made me a proficient relative tuner. I still have that same tuning fork some 40+ years later!

My favorite tuner today and one of the top guitar accessories I highly recommend to my students is the Snark Tuner. It clips right onto the head stock of the guitar (or bass, ukulele, banjo or mandolin) which is a nice feature. The one I’ve listed can be used on all instruments and also includes a metronome. You can leave the tuner there while your playing in case you need a quick adjustment. It’s especially easy to use and is very accurate. Oh, and it’s fairly inexpensive which is always nice. I’ve used others, but the Snark right now is the best one I can personally recommend.

Other tuners that people like to use can either plug directly into an electric or acoustic/electric guitar, but personally, I find them bulky and they always seem to need batteries.

If you play an electric or acoustic/electric instrument, you can use an effects pedal that is a dedicated tuner, or one with other effects that includes a tuner; or, you can purchase an amplifier that has an onboard tuner.

There’s always the Smart Phone App route, too.

If you have a piano, you can also tune off of that, but I’ve found that my guitar case is pretty crowded most of the time — I just can’t see fitting a piano in there as well.

  • Humidifier

If you live in a dry, arid climate such as the desert or the mountains, a Guitar Humidifier is probably one of the top essential guitar accessories for the longevity of your wood instrument. Without a certain level of moisture, wood will dry out and shrink, which means seams and joints will begin to pull apart. Worse yet, the wood on your instrument may actually crack! Your strings may start to buzz. A too dry instrument is also typically difficult to keep in tune, which adds to frustration to someone in the learning stages. Well, it’s particularly annoying for players at any level, but especially for beginners who may start to think something is wrong with them!

Not only have I personally experienced losing a good guitar to lack of proper humidification, but I’ve seen some amazing damage on other guitars that’s enough to scare me into preserving my guitars and advocating for others to do the same.

In a pinch, if you can’t afford a humidifier or your dog ate yours, you can always improvise. I learned this method when I went to I.S.O.M.A.T.A. (U.S.C.’s Idyllwild School of Music and the Arts) Choir Camp in Idyllwild many moons ago.

~ You’ll need a new small kitchen sponge, a plastic ziploc baggie and some dental floss. A hole puncher would be great, too, if you’re kind of a neatnick.

~ Punch about 6 holes in your baggie. Tie some dental floss around one of the corners; or, make a hole near a corner and tie the floss through that. Then wet your sponge, ring it out really well (I mean REALLY well), put it in the baggie and close it.

~ Place the baggie into the sound hole, leaving the dental floss hanging out.

~ Check your humidifier each day. If it’s dry and hard, rewet it. If not, just put it back into the guitar. It’s that easy. You just want to make sure your sponge is not soaking wet or you’ll give your instrument water damage which can be more devastating than anything.

  •  Extra set of strings (or more)

There’s nothing worse than having a string break while you’re playing (or even when you’re not) and not being able to immediately replace it. It means you can’t play your instrument when you want. Oh, depending on the string you break, you may still be able to manage to play a bit, but your fingers will notice the void immediately and will not be happy.

Along with having an extra set or more of strings, I think it’s imperative that every player know how to replace their own strings. It’s part of knowing how to play. If you don’t learn how, you become reliant upon other people, whether it’s a parent that has to drive you somewhere to get the string replaced, or the music store that might not be open, or may even be far away from where you live.

All of my stringed instrument students have at least one full lesson dedicated to changing strings — that’s how important I think the skill of changing strings is. It helps them understand their instrument better, it gives them independence and a sense of pride that they can do it themselves. Though strings are listed as one of the essential guitar accessories, they’re really part of the guitar, because, after all, a guitar without strings is just a fancy wood box, right?

Personally, I’ve tried just about every single guitar string there is. Okay, maybe not every one, but we’re talking about over 40 years of looking for just the right string. For a long time I used Ernie Ball Earthwood Acoustic strings. But now I prefer Ernie Ball 2045 Earthwood Silk and Steel Soft 80/20 Bronze Acoustic String Set (11 – 52), but I also like the Extra Lights. I am also keen on Ernie Ball because 1) it’s a California company, and 2) it has a factory right here in the valley where I live. The quality is excellent, and I enjoy the sound and soft feel of the strings.

  • String Winder

If you change strings a lot — or on the other end of the spectrum, if you rarely change them — a String Winder is a great, inexpensive tool. I keep one in every stringed instrument case I own, with a couple of spares in my studio.

Yeah, it’s that great of a tool. It cuts down on the time it takes to change out strings, and it prevents damage to your instrument. How’s that? Well, if you use a string winder instead of a pair of pliers to pull out your bridge pins, you’re less likely to leave plier impressions on the pins and scratch your bridge wood at the same time. Seems worth it to me.

  •  Instrument Polish / Polish Cloth

Of all the guitar accessories I mention, I believe instrument polish, in particular, Guitar Polish, is a must-have for any guitar player. I have enormous respect for my instruments that were made from living woods and by living beings. Sure, some parts of my instruments were made by machine, but the majority of the crafting was done by human hands. They were designed, made and assembled by human beings.

In addition, instruments are not cheap. Well, some are, but I suppose cost is relative, isn’t it? I look at it this way, in addition to respect for the crafters and the instruments, I want my instruments to last as long as possible; and of course, I them to look beautiful while I’m playing them.

The polish cloth goes right along with my views of respecting my instruments and keeping them clean. Generally, I keep one or two Polish Cloths in each instrument case. One I use to cover the sound hole to trap in the moisture of the humidifier, and one I’ll use to wipe down my guitar and strings after use. To me, there’s nothing more unsightly than a dirty guitar. Equally, if not worse, is playing a dirty instrument. Blech.

  • String and Fretboard Conditioner

I’ve used GHS Fast Fret String and Fretboard Conditioner almost since the beginning. Not since the beginning of all time, of course, but almost since I began playing.

Not only does it clean my strings, but they last longer; and, my fretboard stays nice and conditioned which helps with the longevity of the instrument. Also — and this is my favorite part — playing is so much smoother. As much as I enjoy a certain amount of squeak or squawk from my strings, too much of a good thing is, well, too much.

  • Case

Though a guitar or other stringed instrument can be a beautiful piece of craftsmanship, you really want to avoid hanging it on the wall or storing it propped in the corner of the living room where you can see it all the time. It really should be stored in a case. Especially here in the desert where I live, but the same is true for living in extremely humid areas or extremely dry such as the mountains or higher altitudes. And not just because exposure to the atmosphere might harm it, but accidents do happen. People accidentally sit on their instruments when left on a bed or the sofa, dogs or kids can knock them over; and here, we have earthquakes that can happen at any moment.

Whether you spent $10 or $1,000 on your instrument, a case is a good preventative measure against damage. It’s even more important if you take your guitar to lessons, or your friends’ houses, or on vacation, or wherever.

There are so many options today for cases, from chipboard to hard, to simple gig bags to highly padded and lightweight travel cases. Whatever you do, please don’t drag your guitar or other instrument around without a case.

  • Capo

Even if you’re not quite ready to use a Guitar Capo, it’s nice to have one when you are. A capo can be a lovely crutch or a fantastic tool. Either way, I wouldn’t be without one (or several).

A capo allows you to change the key of a song even if you don’t know the chords of that key. That’s kind of the crutch aspect.

It can also allow you to play in a higher register than another player or players, which can give a song depth and make it more interesting. I’ve used almost every type of capo there is and I would say it’s absolutely a personal preference. Most likely, as you go along in your study of your instrument, you’ll end up trying different styles as well. It’s all about personal comfort.

  • Picks / Pick Holder

If you use a pick, make sure you have several on hand at all times. Even if you occasionally use a pick, it’s a good idea to have more than one. Picks break and picks get lost. Whether you use flat picks or finger picks, always have more than you need available.

Just like anything else, picks are a personal thing. I have used Fender Premium Celluloid Guitar Picks picks for many years. Even though I almost exclusively use Light picks, it’s nice to have an assortment. I like them a lot. I can order them over the internet, or pick them up at any music store. Finger picks, on the other hand (haha), I prefer to buy in person. They have to fit just right. Otherwise, you end up with a drawer full of ill-fitting finger picks you don’t use. Ask me — I know all about it.

As far as a Pickholder is concerned, I am a big fan of the type that stick to the guitar. The sticky tape used to adhere the pickholder to the guitar, if carefully removed, will not harm the wood on a guitar.

If you’re me, you drop picks during performances or practice all the time. Some people like to keep a bunch of pics on their microphone stand, but guess what? Not all performances are amplified; thus, no mic stand. With an onboard pick holder, with a little practice, you can quick draw a pick in a flash before your audience even realizes you dropped your pick. Inexpensive and highly recommended.

  • Strap

If you never plan on standing up while you play, a strap might be optional. However, if you play standing up, of course, a strap is essential. Well, actually, I’ve seen some folks play guitars and of course, ukuleles without straps, but they’re in the minority. A strap is a personal thing. You won’t know if it’s the right one until you try it. My advice is to take your instrument to a local music store and start trying on straps. Take your time. When you find the right one, it’ll be with you  a long time. I have a strap that’s probably 40 years old by now.

  • Metronome

Practicing with a Metronome is so important for the beginning musician. I can’t express just how important it is. There are myriad options these days, from Smart Phone Apps all the way to traditional pyramid style metronomes. The sooner students learn to practice with a metronome, the sooner their rhythm and timing will improve.

  • Guitar Stand

Although it’s ideal to store your guitar in a case when you’re not using it, sometimes you’ll need a Guitar Stand for it.

Rather than propping it against the couch or a chair when you go to get a drink of water (where it could easily slip and fall down), or laying it on your bed (where it could get jumped on my your enormous dog or your rambunctious sibling or child), or some other perilous place, it’s best to put it on a sturdy stand made for your instrument.

  • Music Stand

When you’re playing your guitar (or other instrument), it’s really a lot more comfortable to use a music stand if you’re reading tab, music, or even lyric sheets. It improves your playing posture and makes the practice easier. You can get aFolding Music Stand that’s great if you go to friends’ houses to play, your can get a Tabletop Music Stand that props on a table surface, or you can get a more sturdy Heavy-Duty Music Stand that can travel, but is more of a stay-at-home stand.

So there you are. My list of what I believe are the Thirteen, er, um… Ten important guitar accessories  and/or other stringed instruments such as bass, mandolin, banjo and ukulele. The thing about playing music, especially guitars, is that there are easily a million things you can think of to accessorize your instrument. Chances are, by the time you’ve been playing as long as I have, you just might get to that millionth accessory. I know I’m probably really close myself.

At any rate, I hope this post helps you in accessorizing your instrument (or your child’s).

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Perfect Practice

Perfect Practice Makes Perfect

Understanding the concept of perfect practice makes perfect. The brain is like a sponge, and the younger the brain, the spongier it is. It wants to soak up every bit of information it can. That’s why it’s vitally important for music students to not only practice, but practice “perfect.” Yes, the old saying “Practice makes perfect” is true, except it’s missing a very important element:

perfect practicePerfect practice makes perfect.” ~ Vince Lombardi.

It does your brain no good whatsoever if you rush through your practice, playing wrong notes, just for the sake of putting in practice time. Take your time, and make sure to the best of your ability that you play the right notes the first time. Believe me when I tell you, your brain will chomp onto any note you play ~ right or wrong ~ and it will be harder to get rid of those wrong notes than it would have been to put the right ones in the first time. Like a computer, the information you put into it affects what comes out of it, or as computer programmers will say, “Garbage in, garbage out.” Perfect practice makes perfect cannot be emphasized enough. One of my students learned this very lesson during a lesson with me. Unfortunately, we were each using different versions of a song pulled off the internet. Hers was wrong, mine was right. We played through it together three times before I realized why she’d been playing the wrong chord. Once I realized what had happened, it literally took nearly twenty times to correct what had only been done three times. Fortunately, she  immediately understood the significance and importance of Perfect Practice.

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Wood Shopping

Wood Shopping

When shopping for your first, second, or even, your thirtieth acoustic guitar or ukulele, mandolin or banjo, the most important piece of information you will need to make a “sound” decision is what kinds of woods do you want incorporated into your instrument. When you begin to consider sound versus visual esthetics, your instrument shopping becomes “wood shopping.”

Excluding laminant woods which are something akin to plywood with a lot of glue holding the layers of woods together (which restrict sound), we’ll stick with solid woods in this discussion.

In your search for the perfect ax, whether it’s your first or one to add to your collection, you’ll run across myriad types of woods with little or no further information. You’ll read flowery descriptions designed to entice you to buy the instrument, or some salesperson will give you a bunch of gobbledegook about the woods, but what’s often missing is a clear and concise description that tells you about the sound you’ll get.

Even if you can get a better description than some generality, and even if you can demo the instrument in person, wood instruments age, and when they do, their sound changes. It would be nice to know how the individual woods that make up your instrument will age over time. Will the tone get warmer, or crisper, stay the same?

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It’s important to know that if you buy a solid cedar top guitar it’s going to get warmer and more mellow as it ages. If you prefer a bright, crisp sound, you’re definitely going to want to stay away from cedar and choose a solid Sitka or Carpathian Red spruce top.

I’m always looking for more information to help me educate myself and my students, and today I happened to run across a really great site —McPherson Guitars — that beautifully describes the various wood tone qualities in a variety of woods used for acoustic instruments. You won’t get all of the information you might want there, but it’s a considerably better than a general description. And, it’s just one piece of the process when wood shopping.

Here’s the link:

Tone Woods

Hard Work Brings Success

Hard Work Brings Success

The dictionary is the only place that success comes before work. Hard work is the price we must pay for success. I think you can accomplish anything if you’re willing to pay the price.” ~ Vince Lombardi

Vince_Lombardi-150x150Coach Vince Lombardi was an extremely successful and beloved American football coach. I quote him often because he really had his finger on the pulse of human nature and knew how to mentor his players to greatness. He was absolutely right that hard work brings success. Music is like a foreign language with layers of nuance that can give the most difficult language a run for its money. It’s also a very physical art requiring coordination and control, along with creative expression. All of that requires practice, practice and more practice in order to even begin to master the art of playing music.

Success doesn’t just happen.

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Some who want to learn an instrument or sing have a romantic and unrealistic view of music where they think that wanting to sing or play an instrument is enough, and just by virtue of wanting to, they can. They want success before work. My intent here is not to discourage anyone from learning to play an instrument or sing by telling you how hard it is; but rather, my goal is to offer a more realistic insight into music education to help students be successful. By not sharing this information, I run the risk of taking on a student who will quickly become disillusioned with their progress because they can’t play their instrument as well as they wanted to after two or three months or less. Further, by helping a student understand the importance of practice from the very beginning, they will achieve their goals much, much sooner than they imagined.

Hard work brings success.

I’m reminded of another old (corny) joke. A man with a broken arm in a cast sees his doctor for a follow-up visit. His doctor says tells him he’s mending just fine. Concerned, the man asked the doctor, “So, Doc, when I get out of this cast will I be able to play the violin?” The doctor replied, “Of course! You’ll be good as new.” The man breathed a sigh of relief and said, “Aw, Doc, that’s great. I’ve always wanted to play the violin!”

If only it were that easy.

 

Learning Music Pieces

When learning music pieces or scales, there are different methods for approaching the work.

learning music piecesOnce you begin learning music pieces or certain practice pieces such as scales or modes, you’ll inevitably run into parts where you stumble every time, no matter how many times you try to play through it. In my opinion, trying to learn a piece or scale by struggling through it beginning to end over and over and over again is a recipe for disaster and frustration.

The very best way, as I’ve found, is to approach your song, piece or scales in sections, beginning with measure by measure, or left hand then right hand if playing piano or guitar. Perfect a measure and then move on to the next, then the next, and so on. You will achieve so much greater satisfaction and skill quicker than you will with the beginning to end method. Continue reading